South African filmmaker Robert dos Santos will release his debut feature This Is How The World Ends straight to VHS this Sunday, 7 June 2026. The move marks the first worldwide straight-to-VHS release in two decades and coincides with International VCR Day.

The 90-minute adventure sci-fi drama reverses the traditional distribution order. VHS copies will be available first, followed later by Blu-ray, DVD, cinema screenings and streaming. Producers say the strategy is a conscious choice to prioritise physical media and intentional viewing.

A Deliberate Return to Physical Media

Dos Santos has positioned the release as a response to the dominance of streaming platforms and AI-generated content.

In an interview with The Guardian, he described the film as “made by humans for humans” and argued that easy digital access has reduced the effort audiences invest in watching films.

He compared the approach to vinyl records, where listeners must commit to the full experience without skipping tracks. The director noted that requiring viewers to source a VCR and order a physical tape creates a sense of participation and exclusivity for those willing to make the effort.

The production has already seen strong interest, with additional VHS tapes ordered to meet demand ahead of the release.

Local filming and personal journey

This Is How The World Ends was partially filmed at Africa Burn in May 2023 in the driest region of Southern Africa. The desert setting forms a key part of the story, which follows siblings navigating uncertainty during a conflict between humans and AI systems.

Dos Santos, a former lawyer, transitioned into filmmaking after repeated personal threats during his legal career. He has described the project as his first feature and a deliberate artistic statement rather than a conventional genre film.

The film explores themes of human connection and mortality against a backdrop of misinformation and societal breakdown. Producers Byron Davis and Suraya Suliman are backing the project through And Films.

Director’s view on effort and imperfection

Dos Santos has emphasised that the technical limitations of VHS, including image quality loss and a cropped format, are part of the intended experience. He told The Guardian that compromise and imperfection reflect real life and that audiences are drawn to human processes rather than flawless digital output.

He added that the reversed release order sends a clear message: those who want to see the film must actively participate rather than consume it passively.